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Subtleties Count in Wide-Dynamic-Range Analog Interfaces Transporting high-dynamic-range analog signals from one piece of equipment to another is not a trivial task.
Subtleties Count in Wide-Dynamic-Range Analog Interfaces
Even subtle design variations can make huge
differences in the equipment's ability to reject interference from the ac power line and
other sources when the equipment connects to a real-world system.
Ground noise is often the most serious problem in a system. Reducing or eliminating
this noise is usually the result of a series of experiments that stops when someone says,
"I can live with that." If several coupling or conversion mechanisms are working
simultaneously in the circuit, these experiments become a delicate balancing act of
interactions. However, if you understand the conversion mechanisms, you can prevent most
of these interactions.
The term "noise" here means any undesired in-band signal interference, rather
than the rigorous engineering definition. A "system" is two or more physically
separate, ac-powered devices with cabled analog-signal connections between them.
Although this discussion concentrates on audio systems because they typically require a
large dynamic range, the principles involved apply to any system. Contrary to popular
belief, digital interfaces are also susceptible to these problems; they simply exhibit
different symptoms from analog interfaces.
Noise is pervasive
The fundamental interface problem stems from the fact that once noise contaminates a
signal, it's nearly impossible to remove the noise. Dynamic range quantifies the ratio of
the maximum undistorted signal to the noise floor, whereas SNR quantifies the ratio of the
reference signal to the noise floor. Dynamic range equals SNR plus "head
room"--the ratio of the maximum undistorted signal to the reference signal. These
values are generally ex-pressed in decibels.
System-dynamic-range requirements depend on the application and on user expectations.
The human ear has about 140 dB of dynamic range, whereas a high-performance
audio-reproduction system in a typical home listening environment may require as much as
120 dB (Reference 1). Video systems generally accept 50
dB of dynamic range as the limit beyond which expert viewers perceive no further
improvement.
Both basic types of interfaces--unbalanced and balanced--use a pair of wires to carry
the signal; the impedances of these wires--with respect to a reference point, usually
ground--define them. In an ideal unbalanced interface, one wire has zero impedance, and
the other signal-carrying wire has nonzero impedance to ground. In the ideal balanced
interface, both wires have equal and nonzero impedances to ground.
When you are dealing with any ac-line-powered system, you must accept the existence of
significant ground-voltage differences between system components. Although you can
sometimes reduce these voltages by carefully designing and executing system-grounding
schemes, they are virtually impossible to eliminate. In most systems, these voltages are
the dominant noise source, entering unbalanced signal paths through common-impedance
coupling and balanced paths through common-mode conversion. Common symptoms are hums,
buzzes, pops, clicks, and other noises in audio systems; hum bars or bands of
"sparkles" in video systems; and unexplained data errors or crashes in data
systems.
All internal and external power transformers have unavoidable parasitic capacitances
from their power-line-connected primary windings to their equipment-ground-connected
secondary windings. These parasitic capacitances never appear on schematic diagrams, and
you cannot eliminate them in a practical way. Power-line RFI/EMI filters generally have
even larger capacitances from their lines to their chassis. The periodic charge and
discharge of these capacitances cause small but significant ac-power-line currents to flow
from the power line to each chassis. System devices are either "grounded" or
"floating."
Grounded devices use three-wire power cords. Parasitic currents flow through the safety
ground wire to the ac outlet ground. Because this wire has both resistance and inductance,
each chassis assumes a small voltage with respect to the outlet ground. The
series-coupling capacitance and shunt-wire resistance/inductance effectively form a
highpass filter, so the resulting chassis voltage generally is a rich mixture of
high-frequency power-line noise and distortion components, which you hear as a buzz rather
than the more fundamental rich hum in an audio system. Nonlinear loads on the power line
can generate these high frequencies. Such loads can include electronic equipment with a
capacitor input or switching power supplies; fluorescent or dimmer-controlled lights; and
intermittent or sparking loads, such as switches, relays, or brush motors.
Even if you plug both devices into one outlet, because of differing parasitic
capacitances, the chassis voltages will likely be different. Because "grounded"
devices connect the chassis to safety ground at low frequencies, each device effectively
acts as a voltage source with an impedance less than a few tens of ohms. If you plug two
devices into different branch circuits of the ac power system, the voltage differences
generally increase, often reaching several volts. If you connect the devices by a cable
shield, for example, 100-mA currents may flow. Even higher voltages and resulting current
flows can result if you connect one of the devices to a nonpower ground, such as the
earth ground for lightning safety with a cable-TV or a satellite-broadcast receiver.
Note: Never lift or disconnect safety grounds; it's not only illegal, but also
dangerous. You use a ground adapter to provide a safety ground for three-conductor power
cords with two-prong outlets, not to defeat the safety ground a three-prong outlet
provides. Defeating a safety ground could allow lethal voltages to appear on all equipment
in an interconnected system should a power-line fault develop in the lifted device.
"Floating" devices use two-wire power cords, and each chassis assumes an
open-circuit voltage as high as 120V ac with respect to safety ground. If you externally
ground any accessible point, including signal connectors, current flow is limited to about
1 mA. This current can cause you an unpleasant but harmless shock. If you leave it
ungrounded, the parasitic power-line current flows only in any cables you use to connect
the devices. You do not eliminate--only reroute--the parasitic current flow. In unbalanced
interfaces, even a few microamperes of interchassis current can significantly degrade
dynamic range. At low frequencies, floating devices are effectively high-impedance current
sources with short-circuit currents as high as 1 mA and open-circuit voltages as high as
120V.
In larger systems, the flow of power-line parasitic currents becomes more complicated.
In any case, assume that significant currents flow in any interchassis connections and
that significant voltages exist between the local-device grounds.
Unbalanced, or single-ended, interfaces are common, presumably because they are
inexpensive and often perform acceptably well in small systems. They prevail in consumer
audio systems, most video and RF systems, many data systems, and, unfortunately, in most
electronic instruments.
All unbalanced interfaces suffer from common-impedance coupling, in which the grounded
conductor of the interconnecting cable, as well as the contact resistance of any
connectors, becomes the offending common impedance (Figure 1).
Because the cable shield is effectively connecting the device chassis, the shield has
either noisy interchassis current--from floating devices--flowing through it or noisy
interchassis voltage--from grounded devices--impressed across it. The resulting noise
voltage across the shield directly adds to the signal. Consider 20 ft of cable, having
25-mohm/ft
shield resistance, connecting two floating devices between which a 500-µA
interchassis current flows. This resistance adds 250-µV noise, which is only 61 dB
lower than a 300-mV consumer-audio reference signal.
You can reduce this noise coupling by shortening the cable, which reduces both the
resistance and the inductance of the shield. Using cable with a heavier gauge shield
improves matters at low frequencies but has little effect at higher frequencies. At power
frequencies, wire impedance roughly equals dc resistance, which decreases by a factor of
10 for every 10 AWG decrease in gauge. For example, if you replace a #12 with a #2
AWG--measuring 0.26 in. in diameter--you reduce hum by about 20 dB. However, at RF,
inductance determines wire impedance. Diameter has little effect on inductance, which is
proportional to length. For example, 8 ft of #10 AWG has an impedance of about 22ohm at 1 MHz--the
AM broadcast band. Replacing this #10 with #0000 AWG--measuring about 1/2 in. in
diameter--reduces the impedance only to about 18ohm.
Because the shield impedance rises with frequency and the power-line noise is
essentially capacitively coupled, common-impedance coupling is generally efficient at
coupling power-line "trash" at 100 kHz to 10 MHz. Most devices' performance
suffers when you couple such noise to their inputs. For example, audio systems sometimes
demodulate this conducted RFI--producing clicks, pops, or buzzes. More often, the RFI
results in subtle intermodulation distortions, in which listeners describe the reproduced
audio as having a veiled or grainy quality (Reference 2).
Another way to reduce impedance is to decrease interchassis current flow through the
shield. If either or both devices are floating, you can reduce parasitic
power-line-to-chassis capacitances by specifying a low-capacitance split-bobbin power
transformer, for example, in the floating devices. If both devices are grounded, reducing
interchassis voltage by powering both devices from the same outlet may help. But a
transformer or another ground-isolation device in the signal path--effectively making the
interface differential--may be required to substantially reduce noise-current flow in the
shield. In audio systems using unbalanced interfaces, 3-ft-long cables often cause hum,
and 20-ft-long cables or the existence of two or more grounded devices in the system
practically guarantees hum. In these cases, only a ground isolator can reduce parasitic
shield currents enough to make hum inaudible. For high-dynamic-range systems with signal
frequencies lower than 10 MHz, unbalanced interfaces pose enormous practical problems in
controlling common-impedance coupling.
Balanced interfaces have pitfalls, too
The use of balanced line drivers, balanced twisted-pair cables, and balanced line
receivers is a long-standing practice in professional-audio and many other systems. In
theory, these balanced or differential interfaces are the perfect solution to the
interchassis-ground-noise problem. However, many misconceptions exist about several
important details of reducing the theory to practice, often causing poor system
performance (Reference 3).
In audio and most other systems, the purpose of the interface is to transfer maximum
signal voltage. This method, "voltage matching," requires a low output impedance
at the driver and a high input impedance at the receiver. Do not confuse this approach
with impedance matching, in which driver-output and receiver-input impedances are equal,
and maximum power is transferred. High-frequency interfaces may need to use this approach,
although it wastes half the driver voltage, because of transmission-line effects.
Although you can define "balanced lines" in many ways, all such definitions
require that the two lines have equal impedances to a reference point, usually ground.
This property enables rejection of ground noise between the driver and the receiver. In
the rearranged schematic of the basic balanced interface, the impedances to ground of the
driver and receiver plus a differential responding amplifier form a Wheatstone bridge (Figure 2). Thus, if the bridge is perfectly ratio-matched or
nulled, the differential amplifier sees identical ground noise at its two inputs. Under
these conditions, an ideal differential amplifier would have zero output, and the
interface would have infinite common-mode rejection. If the bridge is not perfectly
nulled, some of the ground noise is converted to differential signal.
For example, a ratio mismatch of 1% results in a CMRR of only 40 dB. (CMRR is the ratio
of differential or normal-mode signal gain to common-mode gain.) Achieving high CMRR
requires extreme precision. It's important to note that the bridge-nulling impedances are
the common-mode impedances of the driver and receiver. Their differential
impedances simply appear across the line and do not accomplish the nulling. Bear this in
mind when you consider the nulling behavior of the bridge.
A Wheatstone bridge is most sensitive to small fractional impedance changes in one of
its arms when all arms have the same impedance. It is least sensitive when upper and lower
arms have widely differing impedances--for example, when upper arms approach zero
impedance or lower arms approach infinite impedance. You must change these impe-dances in
pairs because the impedance ratios of the two sides must match for the bridge to null.
Therefore, you can minimize the sensitivity of a balanced system to small impedance
imbalances by making common-mode impedances as low as possible at one end of the line and
as high as possible at the other. Fortunately, this condition is consistent with the low
driver output and high receiver input that normal-mode impedances required for efficient
signal-voltage transfer across the interface.
It's important to realize that a balanced interface is a subsystem. Everything that
connects to the balanced line must rigorously maintain its impedance balance for you to
achieve maximum interface CMRR. This balance applies to the line driver, the
interconnecting cable, and the line receiver. Maintaining this balance is especially
important if you wish to freely interconnect various devices and interchange cables, as is
usually the case. Practical balanced line drivers, cables, and receivers have finite
and imperfectly matched impedances that play a critical role in limiting the CMRR
performance of balanced interfaces.
Rejecting common-mode noise does not require symmetrical signal swings on the
balanced lines. High-CMRR balanced interfaces can have the signal on either line or
symmetrically on both lines. The presence or absence of a normal-mode signal has nothing
to do with rejection of common-mode noise. You need to consider signal symmetry only in
the context of cable shields or crosstalk.
Practical line drivers do not have zero normal- and common-mode output impedances.
Balanced audio systems may have grounded, active-floating, and transformer-floating
drivers (Figure 3). Each has a typical normal-mode
(signal) output impedance of 50 to 600ohm.
For audio systems, you should carefully consider how a balanced driver behaves when it
drives an unbalanced input--where one output line is grounded. Any line driver should
incorporate current limiting or thermal shutdown to prevent damage or failure from driving
a grounded line.
The grounded driver uses two antiphase voltage sources, each referenced to driver
ground. Common-mode output impedances are RS1 and RS2, and
normal-mode output impe-dance, ROD, equals the sum of RS1 plus RS2.
Because RS1 and RS2 are typically 20 to 100ohm each with
tolerances of ±1 to ±10%, their imbalance can be 0.4 to 20ohm, resulting in an interface CMRR of 60
to 94 dB with the ideal receiver. If you use no output-coupling capacitors, the CMRR is
constant over frequency. Using electrolytic coupling capacitors with their ±20% or worse
tolerances can substantially degrade low-frequency CMRR. If you ground either output, the
driver forces abnormally high--and possibly distorted--signal current into the distant
grounded input. Because this current must return to the driver, it may flow in an
undefined return path and generate system crosstalk.
The active-floating driver uses a basic circuit comprising two op amps cross-coupled
with both negative and positive feedback to emulate a floating voltage source. ROD
is typically 50 to 100ohm.
Trimming the feedback resistors increases RCM1 and RCM2, and this
trimming also affects the output-signal symmetry. Although manufacturers do not directly
specify RCM1 and RCM2, one manufacturer of an IC version specifies
output common-mode rejection and signal symmetry under specified conditions, which allows
you to determine RCM1 and RCM2 values with a circuit simulator (Reference 4). A simulation obtained values of 5.3 and 58.5 kohm, respectively,
for a simulated part that had slightly better than typical specifications. This driver
produced a 57-dB interface CMRR that is constant over frequency. Although it attempts to
emulate a transformer, this driver can become unstable or oscillate when it drives a
remotely grounded cable. To guarantee stability, you must ground the output line at the
driver itself (References 4 and 5). In this
configuration, the driver becomes an unbalanced output, subject to all its
common-impedance-coupling problems.
The transformer-floating driver uses a transformer whose primary is driven by a
single-ended voltage source. Total winding resistance is typically 35 to 100ohm, and the two
interwinding capacitances are 7 to 20 nF each and are matched to within 2% for typical
bifilar-wound transformers. The interface CMRR is 110 to 120 dB at 20 Hz, decreasing at 6
dB per octave--because imbalances are capacitive--to 85 to 95 dB at 500 Hz or higher.
Because it is ungrounded, the transformer secondary can reference the signal to a remote
input ground. The 60-Hz ground noise is attenuated by more than 70 dB in a typical
situation (Figure 4). Because the noise is coupled
through CCM1, attenuation decreases with frequency.
Capacitances, especially those to the shield in shielded cables, can seriously affect
balanced-interface performance. A related issue is the long-standing debate in the audio
industry about which end of a balanced cable should have its shield grounded (see sidebar "Which end to ground?").
Balanced interfaces can be immune to cable-induced noise if the two conductors have
identical exposure to the magnetic or electrostatic fields. Tight twisting of the signal
conductors tends to average the exposures, especially to fields from a distant source.
When the magnetic-field source is close, "star-quad" cable construction--which
parallels two twisted pairs to further reduce pickup cross-section--can add about 40 dB of
immunity. Remember that pc traces and connectors are magnetically vulnerable because they
create untwisted loops. Foil or braid cable shielding protects against electrostatic, not
magnetic, fields. If you ground the shield at both ends, any current flow in the
"drain" wire of foil-shielded types can induce normal-mode noise. A braided
shield is preferable in such cases.
The line receiver is the most important part of a balanced interface. As the
Wheatstone-bridge-equivalent circuit shows, the common-mode input impedances of the line
receiver, and not its circuit topology, determine the circuit's performance in real-world
interfaces. One basic type of differential amplifier, an active circuit, consists of op
amps and precision-resistor networks and performs algebraic subtraction of the two input
signals. The other basic type, a transformer, is an inherently differential device that
also provides electrical isolation between input and output signals.
You can realize active differential amplifiers with a number of well-known topologies
if all the op amps are ideal and all resistors values are exact. Eliminating these sources
of error, the CMRR performance of all the circuits is identical, and all have 20-kohm common-mode
input impedance (Figure 5). Although many devices are
differential in character, not all can solve the basic instrumentation problem (Reference 6). All of these circuits have CMRR that is
sensitive to source-impedance imbalances. Because audio-signal sources routinely have
imbalances of 0.2 to 20ohm,
these balanced inputs rarely deliver their advertised CMRR. You should also be aware of
some other limitations of these active circuits (see sidebar, "Active circuits
have limitations, too"). Alternatively, look at a new design for a balanced line
receiver (see sidebar
"A new 'active transformer' for audio can help").
Because the primary of a transformer floats, the primary inherently responds
differentially, and any amplifier preceded by a transformer becomes a differential
amplifier. The transformer requires no trimming, and its CMRR is stable for life. Figure 6 is a circuit-simulator model of a high-perform-ance
audio-input transformer. In such a model, the 50-pF primary-to-Faraday-shield capacitances
determine the common-mode input impedances. These impedances are about 50 Mohm at 60 Hz and 1
Mohm at 3
kHz, making the transformers relatively insensitive to driver impedance imbalances. For
inputs that are fed by sources that must be interchangeable or have unknown impedance
imbalances, you should consider transformers because of this insensitivity. Although audio
and other low-frequency transformers are bulky and expensive, they have several other
advantages. For example, they can transform or match line impedance to the optimum source
impedance for the subsequent amplifier by the square of the transformer's turns ratio,
thus maximizing SNR and dynamic range. A transformer-coupled, balanced input stage
operating from ±15V rails can easily attain 140 dB of dynamic range.
Transformers also have inherent RF common-mode attenuation. Because CMRR compares
normal-mode with common-mode responses, it's generally not a useful measure of this
attenuation. Typical normal-mode 3-dB bandwidth is 100 to 200 kHz, but common-mode
attenuation is more than 30 dB from 200 kHz to 10 MHz. Another advantage of transformers
is that their maximum common-mode input voltage is limited only by internal insulation and
is typically several hundred volts.
You should evaluate the performance of a balanced input such that test results become a
reasonable predictor of performance in a real-world system. Many common test procedures
miss this important point. For example, IEC Standard 268-3 for sound-system equipment
specifies a CMRR test that tweaks the generator impedances to produce a maximum reading.
In real systems, this approach simply isn't practical, and you would have to make this
adjustment whenever you reconfigure the system. Some engineers use an even more absurd
test--simply shorting the input terminals to each other and connecting a signal generator
between the inputs and ground--to determine CMRR. This test assumes zero source imbalance,
a situation you are unlikely to encounter, even in a nonreconfigurable system. No wonder
so many engineers think balanced interfaces are not worth the effort to design.
Common-impedance coupling can catch you, too
The noisy, parasitic power-line currents that flow between interconnected system
devices can couple to the signal path inside each device. An Audio Engineering Society
paper about this form of common-impedance coupling dubs it the "Pin 1 problem,"
because Pin 1 is the shield connection in standard XLR audio connectors (Reference 7). An informal survey indicates that about 50% of
commercial audio equipment has a significant amount of this problem. It can afflict either
unbalanced or balanced interfaces and often interacts with other noise-coupling mechanisms
to frustrate your attempts to solve system problems, although the two problems do
occasionally cancel each other out. This problem is most likely to reveal itself when
inputs or outputs use cables with the shield connected at both ends. Were it not for the
Pin 1 problem, this common practice would rarely significantly degrade CMRR in balanced
interfaces, except when you consider the Pin 1 problem.
"Pin 1'' is the terminal at an equipment input or output to which the cable shield
connects when you insert a mating cable connector. For standard XLR connectors, it is
literally Pin 1; for 1/4-in. phone connectors, the sleeve; and for BNC and consumer
RCA/IHF connectors, the outer shell. In a system hookup, noise currents can flow in these
shield connections (Figure 7). In devices A and B, noise
currents flow in internal-signal reference-ground conductors. These currents cause voltage
drops in wiring or pc-board traces and couple to the signal path, sometimes at a high
gain. Note that, for device B, even placing a so-called ground lifter on the power cord
(not recommended) would not solve the problem, and current would still flow between input
Pin 1 and output Pin 1. Devices B and C also have another common-impedance coupling
problem, because they allow noise currents coupled from the power line by the power supply
to flow in signal-reference ground.
You avoid these problems by restructuring the grounds. The noise currents still flow
but not in signal-reference ground conductors. For example, you can use a "star"
connection of shields, safety ground, power-supply common, and chassis. This arrangement
is effective and results in the lowest possible coupling. Alternatively, you can modify
this technique to use chassis metal as low RF-impedance connections for the shields.
Before the advent of pc-board-mounted connectors, the metal chassis provided these
trouble-free connections. You can also use an RC shield-termination network to ground the
shield at high frequencies only.
The schematic symbol for ground can be deceptive. It's tempting for an engineer to
assume that the voltage at all ground symbols is exactly the same. In reality, wires and
pc-board traces having resistance and inductance connect these "ground" points
to each other. Haphazard ground connections create problems. The Pin 1 problem,
effectively turning a shield connection into a low-impedance input, still exists because
standard product-development tests don't reveal it. However, a simple device called a
"hummer" can reveal it (Figure 8 and Reference 8). This device forces about 50 mA of line current
through possible common-impedance coupling paths in a device. Any change in the device's
output noise floor indicates a problem.
Electronic systems are becoming more complex, the electrical environment is becoming
more hostile, and customers--at least in the audio industry--are expecting greater dynamic
range. Engineers must recognize and solve problems that may show themselves only when a
user installs the product in a system. Blaming such problems on bad grounding or dirty ac
power is a poor excuse for failing to perform realistic product testing. The following
guidelines will help you minimize your frustration and maximize performance:
- Accept the existence in the real world of power-line noise and RFI.
- Recognize the inherent limitations of unbalanced interfaces.
- Design all line drivers to have the lowest possible output impedances.
- Design balanced line receivers for the highest possible common-mode input impedances.
- Specify balanced-interface cables with minimal CMRR degradation.
- Minimize power-supply-to-chassis parasitic capacitances.
- Provide a chassis ground terminal, especially for floating devices.
- Never disconnect a safety ground to solve a noise problem.
You can prevent most of the interface problems a user might otherwise face. If your
system is burdened with these problems, system-friendly interfaces quickly become more
important than the gee-whiz features of a product. With well-designed, real-world product
interfaces, a plug-and-play utopia could exist.
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References
- Fielder, L, "Dynamic range issues in the modern digital audio environment," Journal
of the Audio Engineering Society, Volume 43, May 1995, pgs 322 to 339.
- Jensen, D, and G Sokolich, "Spectral contamination measurement," Audio
Engineering Society 85th Convention Preprint 2725, 1988.
- Whitlock, B, "Balanced lines in audio systems: fact, fiction, and
transformers," Journal of the Audio Engineering Society, Volume 43, June 1995,
pgs 454 to 464.
- SSM-2142 balanced line driver data sheet, Revision A, Audio/Video Reference Manual,
Analog Devices Inc, 1992, pgs 7-139 to 7-144.
- Hay, T, "Differential technology in recording consoles and the impact of
transformerless circuitry on grounding technique," Audio Engineering Society 67th
Convention Preprint 1723, 1980, pg 9.
- Morrison, R, Grounding
and Shielding Techniques in Instrumentation, Third Edition, John Wiley & Sons,
1986, pg 58.
- Muncy, N, "Noise susceptibility in analog and digital signal processing
systems," Journal of the Audio Engineering Society, Volume 43, June 1995, pgs
435 to 453.
- Windt, J, "An easily implemented procedure for identifying potential
electromagnetic compatibility problems in new equipment and existing systems: the hummer
test," Journal of the Audio Engineering Society, Volume 43, June 1995, pgs 484
to 487.
- Bohn, D, "Analog I/O Standards," Application Note 102, Rane Corp, 1982.
When designing an analog interface, you have to decide to ground the shielded cable at
the driver end, the receiver end, or both. Consider a scenario using a common
audio-industry shielded twisted-pair cable. This cable has a common-mode (both inner
conductors to shield) capacitance of about 67 pF/ft. Capacitance measurements on two
samples from different manufacturers show an imbalance of about 4% between the signal
conductors. According to one of the manufacturers, normal manufacturing tolerances cause
this imbalance, and you can expect similar imbalances in any commercial cable. If you
ground the shield at the receiver end only, these 4% mismatched capacitances and as much
as 20% mismatched driver common-mode output impedances form a pair of lowpass filters for
common-mode noise (Figure A). Any mismatch between the
two filters results in common-mode conversion, degrading interface CMRR. However, if you
ground the cable shield only at the driver end, common-mode noise does not appear across
the cable capacitances, and this approach forms no lowpass filters (Figure
B).
If the driver produces perfectly symmetrical signal swings on the two lines and the
cable capacitances are exactly matched, no signal current flows in the shield. In reality,
though, signal currents flow in the shield, whether because of capacitive imbalances or
because of signal asymmetry, and this flow increases with frequency. Because the current
must flow back to the driver, a shield connection there makes the path direct. If you
ground the shield at the receiver end only, the current may take an undefined path,
causing system crosstalk, instability, or oscillation.
Grounding the shields at both ends creates some interesting trade-offs and potential
problems. The problems of receiver-end grounding occur--but to a smaller extent. In poorly
grounded systems or those with inputs having poor RFI immunity, there may be
advantages. If no other grounding path exists between the chassis of two devices,
using the cable shield to connect them reduces the common-mode ground noise be-tween them,
even though this approach degrades system CMRR. It would be preferable to use some other
means, such as power safety ground, to connect them. Floating devices, such as those with
two-prong ac plugs, are the most offensive in this regard, creating large common-mode
voltages unless grounded.
In some situations, grounding at both ends may have an RFI advantage. If the shield
floats at the receiver end, the cable itself can become a whip antenna, creating large RF
common-mode voltages at the input. AM radio is the usual offender in these cases. However,
a simple R-C network of a 50ohm
resistor in series with a 10-nF capacitor between the shield and physical ground point
effectively terminates the shield for frequencies higher than approximately 300 kHz,
spoiling the efficiency of the antenna and keeping the circuit open at lower frequencies (Reference A).
Reference
A. Morrison, R, Grounding and
Shielding Techniques in Instrumentation, Third Edition, John
Wiley & Sons, 1986,
pg 86.
Active circuits have some limitations. The single-op-amp and current-mode dual-op-amp
circuits must trade off common-mode input impedance for in-creased thermal noise caused by
higher value resistors. For example, if you double resistor values, thus decreasing CMRR
sensitivity to source imbalances, noise increases by 3 dB. Using electrolytic capacitors
for coupling at any of the inputs may degrade low-frequency CMRR because of the
capacitors' loose tolerances and poor aging characteristics. Adding capacitors from each
input to ground to suppress RFI causes common-mode input impedances to be unbalanced
unless you carefully match these impedances. Because they also lower common-mode input
impe-dances at high frequencies, these capacitors degrade CMRR from source imbalances.
Common-mode input-voltage range is a few volts less than the power-rail value in most
circuits. At high signal levels, this range can approach zero be-cause the limit actually
applies to the sum of the peak normal-mode and the peak common-mode voltages at each input
(References A and B).
This situation can be a problem in electrically hostile environments.
A. Graeme, J, Applications of Operational
Amplifiers--Third Generation Techniques,
McGraw-Hill, 1973, pgs 53 to 57.
B. Perkins, C, "To Hum or Not to
Hum," Sound & Video Contractor, March 15, 1986, pg 42.
Line receivers with high common-mode input impedances clearly produce higher CMRR in
real-world balanced interfaces. General-purpose balanced audio receivers must satisfy a
number of conditions to be practical. For example, the circuit cannot rely on a dc path to
ground from the driver. The driver output might be a floating-transformer secondary or
floating coupling capacitors, or the output might simply be un-plugged. Because these
outputs may have leakage currents and active inputs must have dc-bias current paths, the
common-mode input impedances of active receivers have historically been much lower than
those of a transformer.
A new, patented active-input circuit uses bootstrapping to raise ac common-mode
impedances to tens of megohms and maintains a low-resistance dc path at the inputs. The
circuit is only slightly more complex than traditional circuits, requires no
additional tightly matched components, and enables effective and novel RFI suppression.
Its in-system CMRR performance rivals that of the finest transformers, yet its signal path
has response extending to dc.
The circuit is built around a conventional instrumentation amplifier (Figure A). Al-though you can independently bootstrap each
input, this approach requires two tightly matched electrolytic capacitors to maintain
balance. However, regardless of any differential gain set by RF and RG,
the common-mode gain of A1 and A2 is unity. This circuit
simultaneously bootstrap R1 and R2 with the buffered common-mode
output of A1 and A2 and a single capacitor that is not in the
differential-signal path. This technique not only improves performance but gives the IC
version of the circuit a parts count of two.
At dc, common-mode input impe-dance is simply R1 or R2+R5.
If common-mode gain, G, is unity, the effective values of R1 and R2
approach infinity for frequencies much higher than the cutoff for the highpass filter
formed by C and R5. The following describes the common-mode input impedance, ZI,
at any frequency, f, and gain, G (through A1 or A2 and A4):
For example, if R1, R2, and R5 are 10 kohm each, the dc
input resistances are 20 kohm
each, providing a path for amplifier bias currents as well as for any leakage currents
from the signal source. At power-line frequencies, the bootstrap can increase common-mode
impedances to more than 10 Mohm
in practical circuits. As the equation indicates, this impedance is ultimately limited by
the gain-bandwidth products of amplifiers A1, A2, and A4.
Compared with the simple differential-amplifier design, this circuit improves
real-world CMRR by orders of magnitude and has lower thermal noise as well because you can
make the differential-amp resistors much lower in value. The circuit is covered by US
Patent 5,568,561 and other pending patents. Direct inquiries about the IC or licensing to
That Corp (Marlborough, MA, www.thatcorp.com).
Author's biography
Bill Whitlock became president of Jensen Transformers Inc (Van Nuys, CA) in 1989. At
Jensen, he designs and develops audio, video, and other signal-interface devices. He
graduated from Pinellas County Technical Institute (Clearwater, FL) in 1965 and started
his career in professional audio in 1972. In his spare time, he enjoys hiking, sailing,
music, and restoring 1950s radios and early hi-fi gear.
copyright © 1998 EDN Magazine,
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